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I AM... WHO AM I? |
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This production was commissioned by The New Wolsey Theatre in Ipswich and played four venues early in 2003: The New Wolsey itself premiered the show, and the production then spent a week each at The Gardner Centre in Brighton, Eastbourne College, East Sussex and Trinity Theatre, Tunbridge Wells in Kent. "You have to begin to lose your memory, if only in bits and pieces, to realise that memory is what makes our lives. Life without memory is no life at all" (Luis Bunuel) Or is it? The show tells the true story of a man without a memory, the woman who loves him and the inexplicable foibles of memory loss. The challenge was to produce a piece of theatre inspired
by medical facts, case histories, and which walked the line between narrative
and documentary. In theatre we are used to being told a story - in this
production I presented the audience with a situation: To compose the piece I devised a scene structure, then with the actors Joanna Rosenfeld, Paul Hamilton and Tristan Sharps I recorded their improvisations and edited the results into a script. The show used two rooms as a set and a screen suspended centre stage where a live camera feed on a third hidden set projected 'the wife' in the marital home in her private moments, making the audience a voyeur to her increasing despair and hopelessness. We had a post-show discussion at each of the venues and in each case had more audience remain for the informal chat- which felt like they carried an element of 'community help' - than for any other show in the same season. The fact of 'memory-loss' is out there, it's not all good film fodder I can assure you!
first of all, the right words. His college years unravel like a
scarf. If he was unfaithful, he forgets
that too. These days are pure. Whatever pours
in Ros Barber
"By turns this is both frightening and funny. You don't really know whether to laugh or cry. And it's gripping because Ray Pearson (the protagonist) could be any one of us at any time. It is that rare thing - a stage documentary tightly wrapped in drama" EADT "documentary meets David Lynch" The Source Magazine
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